Window into another scene in WuZhen, March 2011
Sometimes a picture just jumps out and says, “See me, see me!” This was one of those pictures for me. I often take doorway and window shots as they are “natural” frames. Doorways and windows are structures that provide openings into another place. Closed doors and windows leave one wondering and leave one shut out. Open doors and windows are almost an invitation to enter, to risk.
This photo has a hint of colour amid the darker colours of the wall that separates this side of existence and the version of existence on the other side of the window which is a curious blend of door and window – that has been opened. Within the inner world, green leaves on a small bush that talks about life on the opposite side. The wall behind the bush is a blend of darkness and white, a suggestion that this alternate world is not necessarily a perfect place.
As you can see, I am projecting a lot on this scene, using the image through active imagination to create a dialogue with my inner self. This inner world is more mythological than it is defined. The inner world is a place that defies clarity. But then again, as I am learning as the years and decades pass, the outer world is also a place that defies clarity. The lack of clarity often leads to a sense of depression, a questioning of purpose and meaning. Many, unable to handle the ambiguous nature of living in this outer world, turn to some sort of religion in an attempt to find answers to their personal questions of self and meaning, especially during times of unrest such as is being experienced in the world today.
“Or, consider anxiety, that steady state affect of our existential, precarious existence. It is hard to imagine an organism which experiences equanimity in the face of its imminent annihilation, although that counterpoise has been the chief goal of most world religions. Many of those religions seek surcease of suffering through sleight of hand, the promise of an afterlife, which after all is simply offering the ego the promise of a second go at it, presumably under better conditions. (Hollis, Mythologems, p. 104)
Is this why I am drawn to doorways and windows? With no religion to turn to with their promises of another life, another world, I am forced to find a different answer to my personal questions of purpose and meaning in a world that isn’t particularly concerned with my personal continued existence.